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When New Yorker film critic Pauline Kael referred to “the sick soul of Europe” in her book I Lost It at the Movies, she wasn’t talking about Rohmer. She was talking about Antonioni’s La Notte, Robbe-Grillet’s Last Year at Marienbad, and Fellini’s La Dolce Vita.
Andrew Jazprose Hill
Alberto García 🚀🚀🚀
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